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SaltWater, by Lane Ashfeldt
Download Ebook SaltWater, by Lane Ashfeldt
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SaltWater is a collection of more than a dozen short stories, set in a sweep of coastal areas around the world, from Sherkin Island in County Cork to the faraway shores of New Zealand. Longlisted for the 2014 Frank O'Connor prize.
- Sales Rank: #4667786 in Books
- Published on: 2015-04-19
- Original language: English
- Number of items: 1
- Dimensions: 8.40" h x .60" w x 5.30" l, .49 pounds
- Binding: Paperback
- 144 pages
Review
"Wonderful stories by an instinctive writer. Vivid, sensuous and simply bursting with "�Irish Examiner
"As a collection,�SaltWater�is a deeply evocative, deeply impressive debut. "�Wales Arts Review
"These are love stories to disparate coastal landscapes; the language Ashfeldt uses to describe them is the language of love, the gr� she has for the sea."�Necessary Fiction
A pearl of a book full of beautiful short stories.
Wonderful stories by an instinctive writer. Vivid, sensuous and simply bursting with vitality.
With crystalline prose, sentence by neat sentence, Lane Ashfeldt tells her stories of love, wavering trust and loss. The sea shimmers through SaltWater, as threatening and beautiful as many of the characters who walk the pages. A gorgeous collection by a bright talent.
Lane Ashfeldt's short story collection SaltWater embodies the sea that everywhere splashes about its digital pages – it is fresh, powerful and natural, with an ever present sense of danger. ‘You had to be ready for the sea because, if not, then the sea would be ready for you.
As a collection, SaltWater is a deeply evocative, deeply impressive debut. "
A debut collection of beautifully written, award-winning short stories from coastal areas around the world. A perfect book to dip in and out of during lazy days on the beach this summer.
About the Author
LANE ASHFELDT was born in London, raised in Dublin and now lives in a small town in Wales. Ashfeldt’s short fiction has appeared in literary journals and anthologies, and her stories have been performed live at festivals and events such as WordFactory, Bookstock, and West Cork Literary Festival. Her short story Pole House has been produced for broadcast on Radio New Zealand. Other stories by Lane Ashfeldt can also be read online at Guardian.co.uk, Southword, Identity Theory, Eyelands and The View From Here. SaltWater is her debut collection of short fiction.
Most helpful customer reviews
1 of 1 people found the following review helpful.
As Real as the Sea
By Alice Walsh
Lane Ashfeldt's short story collection SaltWater embodies the sea that every where splashes about its' digital pages - it is fresh, powerful and natural, with an ever present sense of danger. 'You had to be ready for the sea because, if not, then the sea would be ready for you'. The sea is something to be revered but feared too. In these stories Ashfeldt transports the reader to many different places, perspectives and times - it is vast in scope. The dialogue and language feels natural and real throughout, as do the characters. I love the opening line of Roaring Water Bay - 'Auntie Rose was the vintage of the oldest penny that we found buried in our back garden'. I really enjoyed the contemporary stories too - so many seas, so many stories.
0 of 0 people found the following review helpful.
A wonderful collection of short stories
By Mel u-The Reading Life
Saltwater by Lane Ashfeldt (2013)
Saltwater by Lane Ashfeldt is a unique collection of short works of fiction, all inspired by the sea. Ashfeldt, born in London to Irish parents, understands as well as any writer I know of how a proximity to the ocean, can permeate the mind. It is as if next to your mundane limited life is something of great power and beauty which can destroy in a capricious or peevish moment. I think the Irish psyche has been deeply affected by the Island nature of the country and the proximity of the ocean. In Irish history, the ocean was the source of food, took people out of the country forever when times were bad, and was a wild power beyond human control. It is these impulses that Ashfeldt deals with in the amazing stories in Saltwater.
" 'So, have you made your mind up yet?'
'About what?'
'About the boat trip on Sunday, what else?' "
"The Boat Trip", the lead story in the collection, is a perfect specimen of the short story tellers art. It is beautifully evokes the feel of living by the sea, something I have done. It also lets us see how dangerous the sea can be. It is very much about the eternal problem that anyone with teenagers (I have three teenage daughters) has. How do you gradually let them develop a sense of independence and freedom while protecting them from evils and dangers you see and they do not? There is a horrible sadness, the kind you will never escape from in this story. I will let you discover the plot for yourself. Ashfeldt does a perfect job of letting us see the sad development of a life time of pain and regret.
"Neap Tide"
neap tide n. A tide that occurs when the difference between high and low tide is least; the lowest level of high tide.
Before I read this great story about the tides that flow up and down in our relationships, I am pretty sure I had never encountered the term "neap tide". This a girl meets exotic beautiful man from a Greek Isle who to her represents everything Ireland (and I guess Irish men) is not. "When she fell for Panos,she had also fallen for his country--the endless sun, the golden siestas, the sparkly silver-blue Aegean. She wanted it all". He also sees her as different from the women he is accustomed to. I admit I did not much like him when he said he hated books. He comes across to me as a man that preys on tourist women. They are on a ferry from the U.K. (I think) to Dublin. She grew up in Dublin and her parents live there but she does not really know the city at all. When they are in Athens it is Panos that drives them around, back in Dublin he is her passenger. I think she begins to not seem different to him when he is surrounded by all sorts of other Irish women, he begins, for the first time, to bore her. We can see the relationship decline, the excitement is gone on both sides. Relationships built on titillation and novelty don't normally endure more than a few comings of the tides and this story wonderfully illustrates that point.
"Fishtank"
"Sorcha and TJ go on holiday somewhere hot and try to forget. They stay in an ochre town built on an estuary that empties into a warm, calm sea. Neither of them understands the language spoken here".
As the story opens we meet Sorcha during a prenatal examination in which she is viewing her baby on a
sonogram for the first time. She is trying to feel maternal but she feels more dread than anything else. They are trying to get used to the baby idea while on vacation. We are with the couple as they go back to London. We listen in as they talk about the baby and we just know the woman is not happy. We know deep down if we go that far that all life came from the sea and the baby exists in kind of a sea for nine months before being born. The ending of the story is very complex and deeply evocative of many core myths.
"Pole House"
"Pole House" is set in Piha, New Zealand. Piha is a small beach community that is a major day-trip for people from Auckland. It is considered a place of great tropical beauty. The story is told by a woman, her age is hard to fix but she has grown twins, living in a pole house with a man who makes surf sculptures. A surf sculpture is made out of drift wood and the man does well selling his creations. She can hear the distant roar of the surf and has a glimpse of the ocean. Some days she walks down to the ocean but today she needs to get away. Kate was attracted to him because even though "He might be quiet and shy, but he not only planned up wild schemes, he created them. Lived them". Kate used to love the pole house (built up in the canopy of the rain forest but now it feels like a prison to her. We go along with Kate on her journey into the town, it is pretty much your standard beach community. She stops in at an internet cafe and she begins to talk a man who works there, I think, about upgrading her laptop mobile internet. You can see she is enjoying talking to the man, semi-flirting with him but has no plans to take it further. "Pole House" is a great story about living in isolation in a strange house in a place of great natural beauty.
"Roaring Water Bay"
Most of the stories in the collection are 12 to 18 pages long. This remarkable story is only one page. It is about Auntie Rose, born in 1892 and just buried. It speaks deeply of the social mores of the era and place and I will leave it unspoiled. Like the other stories, it is very related to the sea.
There are seven other stories in the collection with a very diverse range of settings.
Saltwater is a beautiful collection of short stories, all tied in, each story in a different way to one of the primordial human symbols, the sea.
0 of 0 people found the following review helpful.
Highly recommend!
By E. Bishop
This collection of short stories, connected loosely by a saltwater motif that seeps through each narrative, was lovely to wade through. Ashfeldt has a way with sensory details and although the villages, cities, and oceans we visited were foreign to me, I felt she was familiar with, and emotionally connected to, each place.
I also appreciated how each story stood alone, yet characters from one place or time would show up in another. The last line of the book reads, "So calm and perfect they look as if nothing bad can ever touch them"--and that's a good summary of my feeling after reading. Though Ashfeldt tackles some hard, sorrowful things--a sister drowning during what should be a celebratory evening, the unexplained disappearance of a lover, the sometimes confusing clashes of generations and cultures--the stories, like the sea itself, leave you with a sense that each individual we've met will carry on and survive, despite--or maybe even because of--what they've experienced.
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