Thursday, 28 July 2011

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A-Z Great Modern Artists (A-Z Great Modern Series), by Andy Tuoh

A fun introduction to the world of modern artists, from Albers to Zox, via Basquiat, Kahlo, Warhol and more.

A striking, design-led reference book, A-Z Great Modern Artists features Andy Tuohy's portraits of 52 key modern artists, rendered in each artist's own characteristic style - including Aleksandr Rodchenko in trademark green and red, Andy Warhol as a classic repeated print, and Marc Quinn as a frozen blood head in a box.

With text by art historian Christopher Masters, each artist's entry will also have a summary of the essential things you need to know about the artist; their biographical details, why they're so significant, where you can find their works today, and a surprising fact or two about them as well as reproductions of key works.

Whether you're already an art expert, or looking for a helpful cheat to navigating around a gallery, you'll love this guide to global artists of the modern age.

Andy Tuohy is a graphic designer and worked in advertising for many years before becoming a freelance artist/ designer. He has had design work commissioned by the Tate Modern and Tate Liverpool, Turner Contemporary and Henley Regatta, and has been featured in Design Week amongst other publications.

  • Sales Rank: #483408 in Books
  • Published on: 2015-06-02
  • Released on: 2015-06-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.63" h x .88" w x 6.25" l, .0 pounds
  • Binding: Hardcover
  • 224 pages

From School Library Journal
Gr 9 Up—This compact introduction to modern art covers 52 different figures, chosen for their "profound and lasting impact on the world." The entries are arranged alphabetically, with at least one artist for each letter. Accompanied by graphic-style portraits that simplify each artists' technique into its core stylistic elements, each profile includes a brief biography, reproductions of famous works, and "Where to See [Artist's] Work" and "Did You Know?" sidebars. Interestingly, Tuohy, who created all these portraits, is considered the book's author (he selected all the individuals and penned the preface). However, art historian Masters's encyclopedic articles are just as relevant as the images. He provides fascinating and thorough details, for instance, walking readers through the many artistic movements to which Piet Mondrian contributed. There are also mentions of the artists' personal lives, such as Jackson Pollock's alcoholism and Yayoi Kusama's "orgy parties." VERDICT A useful, portable guide.—Jessica Cline, New York Public Library

About the Author
Andy Tuohy is a graphic designer and worked in advertising for many years before becoming a freelance artist/ designer. He has had design work commissioned by the Tate Modern and Tate Liverpool, Turner Contemporary and Henley Regatta, and has been featured in Design Week amongst other publications.

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4 of 4 people found the following review helpful.
A view of modern artists, through the eyes of another artist
By Editchief
"Great Modern Artists A to Z" is an original contribution to the genre I'll describe as "quick guides to complex topics." In this case, the complex topic is fine art (primarily painting and sculpture) of the 20th and 21st centuries. Andy Tuohy, a prolific British illustrator, partnered with British art historian Christopher Masters to showcase 52 luminaries of modern art (8 of them still living), including many familiar names (like Picasso, Warhol, O'Keeffe, Dali, and Kahlo) along with some lesser-known contributors. Tuohy points out in his Preface that a few members of his select group are non-Western artists (from Japan, China, India, Lebanon, and Sudan) that he hopes "people will investigate further."

Each artist receives 3 or 4 pages in this small (about 6 by 9 inches) volume, including a brief biographical essay that describes the artist's style and significant contributions. At least one of the artist's works is reproduced in full color, and for a few artists, two sample works are included. The first page of each artist's entry identifies his or her country of origin, and year of birth and-- when applicable-- death. A 2-page glossary at the back of the book defines names of several art movements and organizations.

The initial page for every entry also contains two small boxes: one is titled "Where to See [Artist's] Work" and contains a list of museums and galleries, worldwide, that house this artist's work. The other box, titled "Did You Know?", contains a "factoid" related to the artist's life or work. (Examples: Louise Bourgeois supported gay and transgender rights; Salvador Dali was named after a brother who died a year before he was born; David Hockney has produced the largest paintings ever made in open air; Mark Rothko studied at Yale but didn't graduate, and later received an honorary doctorate from the school.)

But the focal point (and the primary reason for this book) is displayed on the second page of each entry-- a color portrait of the artist, created by Tuohy, using a uniform, minimalist illustration approach that also incorporates some attributes of each artist's "signature" style. Sometimes the inspiration for Tuohy's portrait is obvious-- for instance, Jackson Pollock's head is a paint can, and he wears a shirt splattered in colors that resemble Pollock's "Number 1, 1950 (Lavender Mist)", which is reproduced on the page following Tuohy's portrait. Similarly, Piet Mondrian's portrait is made of white squares and rectangles outlined in black, with a few blocks of primary colors used to create eyes, ears, and clothing, thus closely resembling the well-known Mondrian "Composition with Red, Blue and Yellow" that appears on the next page.

In some cases, however, simply comparing pictures isn't enough, because the Tuohy portrait displays identifying elements that will be clear only if the reader already knows the artist's work, or reads the accompanying essay carefully. One such example is German Surrealist Max Ernst, portrayed by Tuohy as a two-headed half-man, half-bird. No birds appear in the Ernst painting "Celebes" reproduced in the book, but a paragraph of the text discusses Ernst's frequent use of a "bird-like alter ego" and "sinister avian creatures" in many of his paintings and collages done in the 1930s.

Tuohy's interpretations are fun for those already familiar with the artists (he says he started the series of illustrations "for no better reason than to amuse myself"), and in many ways the book achieves its goal of providing "an accessible introduction [to modern art] for a new generation."

Nevertheless, I assigned 4 stars rather than 5, because of two shortcomings. One is that the short essays frequently refer to works not contained in this book. I'm guessing that Tuohy's and Masters' intent is to stimulate readers to seek more information elsewhere, or at least to power up their computers and look for online images of the works mentioned-but-not-displayed. However, beginners can't fully appreciate some of the insights offered in the text unless they take time to do this extra research. (A related nit-pick is that titles of all art works mentioned are included in the index-- which isn't helpful if you simply want to locate the art that is included in this book.)

The other weakness is lack of a bibliography for readers who want to learn more about an artist, can't necessarily visit one of the listed museums, and want a pointer to an authoritative information source. Even providing just one "For more information" reference with each entry would, in my view, help the book better achieve its goal of "celebrating" the art and artists of the modern era.

Still, this book is admirably designed, and inexpensive-- so as a quick guide to modern art, it's worth considering.

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  • Sales Rank: #378711 in Books
  • Brand: Brand: Puffin
  • Published on: 1996-04-16
  • Released on: 1996-04-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .14" w x 8.00" l,
  • Binding: Paperback
  • 35 pages
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  • Used Book in Good Condition

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Sunday, 24 July 2011

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Spinoza's Short treatise on God, man & his well-being: tr. and ed., with an introduction and commentary and a life of Spinoza

  • Sales Rank: #3453296 in Books
  • Published on: 1910-01-01
  • Released on: 1910-01-01
  • Dimensions: 8.50" h x .98" w x 5.50" l,
  • Binding: Paperback
  • 392 pages

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Saturday, 23 July 2011

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A comprehensive manual appropriate for two-semester A&P courses. This new edition features an extensive and updated full-color art program, updated exercises, and an engaging writing style. The unique interactive approach of this manual is designed to engage students in developing a deeper understanding of the material to help as they embark on their allied health career. Loose-leaf, 3-hole drilled, full-color

  • Sales Rank: #7863 in Books
  • Brand: Brand: Morton Publishing Company
  • Published on: 2013-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x 1.20" w x 8.90" l, .0 pounds
  • Binding: Loose Leaf
  • 716 pages
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  • Used Book in Good Condition

About the Author
Erin Amerman presently teaches anatomy and physiology at Florida State College - Jacksonville. She has been involved in anatomy and physiology education for more than 14 years as an author and professor. She received a B.S. in cellular and molecular biology from the University of West Florida and a Doctorate in Podiatric Medicine from Des Moines University. Dr. Amerman is the author of the best-selling Exploring Anatomy and Physiology in the Laboratory series with Morton Publishing Company, and of the textbook Human Anatomy and Physiology with Pearson Education (to be released in January 2015). She is deeply committed to helping her students succeed in the A&P course, and generating curiosity and excitement about the material and its application in their future careers.��Dr. Amerman is a member of HAPS, and enjoys attending the annual HAPS conferences, especially when they are in locations that have ample hiking opportunities and many different species of snake. When she is not writing or in the classroom, Dr. Amerman enjoys spending time with her family and her menagerie of rescued cats, dogs, pet rats, snakes, tetras, and a turtle. She also practices karate and kobudo (she will earn her second-degree black belt in April of 2015), and enjoys photographing the local wildlife around her home in rural northern Florida. She can often be found hiking around the prairie with a camera and snake hook in hand.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Beware: Code NOT Included
By my2cents
I thought that I would save the $10 difference that it would have cost me to buy from the college. I wasn't aware that the necessary code wouldn't be included. My mistake cost me $160. If you will need the code, don't make the same mistake- buy elsewhere.

5 of 6 people found the following review helpful.
Exploring Anatomy & Physiology in the Laboratory
By mariamaeve2012
This book was in perfect brand new condition and I love it! it has awesome pictures that are super helpful!!

2 of 2 people found the following review helpful.
Nice work on this book, I love it dearly.
By cathy
This book is truly amazing for the color and the pictures inside.
It is helping me to understand my lab and lecture without doubt. Thank you and nice work on this.

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Sunday, 17 July 2011

[H259.Ebook] Download PDF Claire's gift, by Maxine Trottier

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Claire's gift, by Maxine Trottier

The entire village of Ch�eticamp, Nova Scotia, looks forward to the arrival of Tante Marie's great-great-niece, seven-year-old Claire, but no one succeeds in making friends with the quiet little girl until Tante Marie goes back to hooking a rug and Claire decides to investigate.

  • Sales Rank: #3638328 in Books
  • Brand: Brand: North Winds Press
  • Published on: 1999
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover
  • 30 pages
Features
  • Used Book in Good Condition

Review
“French words and phrases scattered throughout the text contribute to the authenticity of the setting of the story. Rajka Kupesic's beautiful paintings combine a naive style with fine detail to effectively depict the story's historical setting . . . Highly recommended.” (Canadian Book Review Annual) “Oil on linen folk art paintings glow from the pages of this book . . . A beautifully composed book.” (The Globe and Mail)

About the Author
CHRISTIE'S Maxine Trottier is the author of many acclaimed children's books including The Tiny Kite of Eddie Wing (1996 CLA Book of the Year for Children) and Laura: A Childhood Tale of Laura Secord. Claire's Gift won the 2000 Mr. Christie's Book Award. Maxine lives in Port Stanley, Ontario. Rajka's art has been shown in international galleries for two decades. Her signature style has garnered extensive critical acclaim, and her pictures have hung in the homes of such notable art lovers as Pierre Trudeau, Karen Kain, and Oscar Peterson. Rajka lives in Toronto, Ontario.

Most helpful customer reviews

0 of 0 people found the following review helpful.
The book and rug together make a nice addition to my 'how-to and history-of' rughooking demonstrations
By Library Dragon
Lovely story with special meaning to those of us addicted to rughooking. I was especially drawn to the book because I have the pattern for the rug with the hearts on it, pictured in the book. The book and rug together make a nice addition to my 'how-to and history-of' rughooking demonstrations.

0 of 0 people found the following review helpful.
Great story from the late 1800s for children
By Jane
This book was reviewed in Rug Hooking Magazine recently. I was delighted to find a children's book about this fiber art. The story is interesting and the illustrations are truly beautiful. A few French words are used in the story.

0 of 0 people found the following review helpful.
great book!
By daniella brooks
very beautiful touching story with great rug hooking pics glad i bought it! its nice to see hooked rugs live on in history

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Saturday, 16 July 2011

[D688.Ebook] Free PDF (Hit List) Laurell K. Hamilton An Anita Blake, Vampire Hunter Novel

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(Hit List) Laurell K. Hamilton An Anita Blake, Vampire Hunter Novel

  • Sales Rank: #2000914 in Books
  • Published on: 1994
  • Binding: Hardcover

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Tuesday, 12 July 2011

[J807.Ebook] PDF Ebook Other People's Money: The Ultimate Leverage (The Mastermind Leverage Series), by Michael A Lechter Esq

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You Don’t Need Your Own Money to Start and Build a Business!
In Other People’s Money you will learn how to:
-Use Other People’s Money and Resources to leverage your way to financial independence.
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-Bring investors into your business without giving away the store.
-Find the sources that successful investors use in harnessing OPM.
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“Other People’s Money-The Ultimate Leverage, offers a unique and innovative approach for building value in a business by employing other people’s money or other people’s resources (OPM/OPR). A must read for any entrepreneur!”
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Garvin Professor of Global Entrepreneurship and
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Co-Creator of the #1 New York Times best-selling series Chicken Soup for the Soul�
Co-Author of Cracking the Millionaire Code, The One Minute Millionaire and Cash in a Flash

  • Sales Rank: #1844359 in Books
  • Brand: Brand: TechPress, Incorporated
  • Published on: 2012-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .92" w x 6.00" l,
  • Binding: Paperback
  • 406 pages
Features
  • Expert Business Insight
  • Finding Other People's Resources

About the Author
Michael A. Lechter, Esq.
Attorney, Certified Licensing Professional, Entrepreneur, Educator, Author

An internationally recognized expert in the field of intellectual property, Michael has been has been the architect of strategies for building business using both conventional sources of Other People’s Money- as well as Other People’s Resources. His experience in represesnting venture capitalists in evaluating potential investment companies and representing start-up and emerging businesses, as well as a participating investor in small businesses, enables him to bring a unique perspective to the subject of building a business using Other People’s Money.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Terrible Unedited Garbage
By Kyle
I am taking a course at ASU instructed by the author of this book. Not only is the book useless in terms of his class, it is also very clearly unedited. There are headers that are unbolded and sections that don't belong in the chapters they were placed in. The format of the book is atrocious as well. Sections of chapters are harder to distinguish due to the one formatting technique used, bolded headers. There is no way to distinguish whole sections from subsections. The ironic thing is that the professor is trying to teach us how to earn an honest buck by selling us this garbage that he makes a profit off of.

2 of 2 people found the following review helpful.
Covers the bases
By Christopher Richmond
Though I did not read any new information in this book, it did refresh information at I have not heard in some time. If you are going to be looking for funding this book could give you some leads that you may not have thought of.

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Sunday, 10 July 2011

[U677.Ebook] Fee Download Genes IX, by Benjamin Lewin

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Genes IX, by Benjamin Lewin

From Renowned Author Benjamin Lewin Comes The Newest Edition Of His Classic Text, Genes IX. For Decades Lewin Has Provided The Teaching Community With The Most Cutting Edge Presentation Of Molecular Biology And Molecular Genetics, Covering Gene Structure, Sequencing, Organization, And Expression. The New Ninth Edition Boasts A Fresh Modern Design And Contemporary Art Program, As Well As A New Organization Which Allows Students To Focus More Sharply On Individual Topics. Thoroughly Updated, Including A New Chapter On Epigenetic Effects, Genes IX Proves To Be The Most Current, Comprehensive And Student-Friendly Molecular Biology Text Available!

  • Sales Rank: #1111159 in Books
  • Published on: 2007-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.41" h x 9.26" w x 11.15" l,
  • Binding: Hardcover
  • 892 pages

Most helpful customer reviews

12 of 12 people found the following review helpful.
Too simple. Too many errors.
By Amazon Customer
The title of this review is a succinct description of it. We used Genes IX in one of my graduate courses at the University of Kansas Medical Center. The book is generally marketed as a high level text, but frankly I found it to be too simple. While I appreciate simplicity and generally promote the "KISS" way of thinking, I just couldn't get into it here. I felt it was lacking in detail. Further, there were a number of typos and minor factual errors that made me uncomfortable. I didn't feel confident learning from this book. I know its a widely loved text, so maybe I'm just missing something. I'll be generous and give three stars.

11 of 14 people found the following review helpful.
Confusing and inaccurate text
By Sarah Smith
I bought this book to accompany a graduate-level molecular biology course, and found it extremely unhelpful. Midway though the course I stopped reading the book entirely in favor of depending on information from the lectures. I regret spending the money. The major problems with the book are:

- There are MANY obvious typos and editing errors. This is especially concerning because as a student you depend on your textbook for accurate information; you don't want to memorize a typo.

- The figures are vague, incompletely labeled, and often misleading.

- The organization of the text is disjointed. Essential detailed are completely left out of some discussions, only to be mentioned a few pages later. This makes it very difficult to form a coplete understanding of the topic.

One advantage of this book is that at the end of each chapter it gives a comprehensive list of reviews and papers from scientific literature that you can use to supplement your reading. If you are unfortunate enough to have to depend on this book for your learning of molecular biology, I would recommend doing this.

1 of 1 people found the following review helpful.
A bit confusing
By TGraca
I'm not very happy with the way the genes books have been organized lately... the subjects are fragmented and it not always clear what we are reading, if it is prokaryotic or eukaryotic system, p.e.

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Saturday, 2 July 2011

[S804.Ebook] PDF Ebook A Time of Torment: A Charlie Parker Thriller, by John Connolly

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A Time of Torment: A Charlie Parker Thriller, by John Connolly

“Connolly again displays his mastery at combining the hard-boiled with the supernatural.” —Publishers Weekly (starred and boxed review)

Dangerous and driven private investigator Charlie Parker returns in the latest gripping thriller of internationally bestselling author John Connolly’s series, in which ungodly fears haunt a strange and isolated community.

Jerome Burnel was once a hero. He intervened to prevent multiple killings, and in doing so destroyed himself. His life was torn apart. He was imprisoned, brutalized.

But in his final days, with the hunters circling, he tells his story to private detective Charlie Parker. He speaks of the girl who was marked for death, but was saved; of the ones who tormented him, and an entity that hides in a ruined stockade.

Parker is not like other men. He died, and was reborn. He is ready to wage war.

Now he will descend upon a strange, isolated community called the Cut, and face down a force of men who rule by terror, intimidation, and murder.

All in the name of the being they serve. All in the name of the Dead King.

  • Sales Rank: #75829 in Books
  • Published on: 2016-08-02
  • Released on: 2016-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .80" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 480 pages

Review
“Connolly again displays his mastery at combining the hard-boiled with the supernatural.” (Publishers Weekly (starred and boxed review))

“There are a few authors whose novels are my own personal equivalent to comfort food. Stephen King is one; John Connolly is another.” (Michael Patrick Hicks Reviews)

"The beauty of John Connolly's Charlie Parker novels is how the characters continue to evolve." (The Jacksonville Times)

"John Connolly is one of the best writers working today . . . A Time of Torment may be his best work to date. And that is no small feat." (Umney's Alley)

"The Charlie Parker series is my favorite series of all time. In any genre. Perhaps because it doesn't fit neatly into any one genre. It's gritty crime novels with supernatural elements and a mystery that spans across the entire series." (Cynthia's On Pens and Needles)

"John Connolly takes the reader kicking and screaming to places they probably didn't know existed . . . . If you love thriller mysteries with an air of the mystical, then you need to read A Time of Torment!" (Literarily Illumined)

"John Connolly writes with his always superb, poetic prose, and its beauty is in wonderful contrast to the subtle, and sometimes not so subtle (one bad guy has dentures made of razor blades), horrors he describes." (Criminal Element)

"It doesn't get any better than this. Seriously . . . . [A Time of Torment] shines and depresses, overjoys and frightens, from page to page, paragraph to paragraph, sentence to sentence . . . . you will want to go back to the beginning and read every word of this series, in sequential order, upon completion of this latest installment." (Bookreporter.com)

"This eerie thriller has made a forever-fan of me . . . . You may write, and I may write, but nobody else will ever, ever be able to write like Connolly. Our story is part of the Charlie Parker series, but I have not read any of the others and found I was able to hop into this story as a single read with no difficulty."  (Seattle Book Mama)

"Suspense fans won't want to miss Connolly's A Time of Torment. It's gripping and gritty all the way through." (Night Owl Reviews)

About the Author
John Connolly is the author of the Charlie Parker series of mystery novels, the supernatural collection Nocturnes, the Samuel Johnson Trilogy for younger readers, and (with Jennifer Ridyard) the Chronicles of the Invaders series. He lives in Dublin, Ireland. For more information, see his website at JohnConnollyBooks.com, or follow him on Twitter @JConnollyBooks.

Excerpt. © Reprinted by permission. All rights reserved.
A Time of Torment Chapter I
They’re circling now, then falling, descending in a slow gyre, dropping so gently that their approach can barely be discerned. They are hawks in the form of men, and the one who leads them is a being doubly transformed: lost and found, human and bird; youngest of them, yet strangely old. He has endured, and in this endurance he has been forged anew. He has seen a world beyond this one. He has glimpsed the face of a new god.

He is at peace with himself, and so he will wage war.

Faster they come, the spiral narrowing, the three almost as one, their coats mantling in the chill fall air; and not a whisper of their approach, not a passing shadow nor a sparrow startled, only the stillness of a world waiting to be shattered, and the perfect balance of a life, perhaps, to be saved and a life, perhaps, to be ended.

The clouds part, pierced by a shaft of light that catches them in flight, as though they have attracted, however briefly, the attention of a deity long slumbering but now awake, roused by martial clamor and the raising of armies in the name of the Captain, the One Who Waits Behind the Glass, the God of Wasps.

And the old deity will set His child against them, and the hawks will follow.

IT WAS A LONG time since the Gray Man had considered the possibility of being caught, for the Gray Man did not truly exist. He had no physical form. He dwelt alongside another, sharing the same skin, and only at the final breath might there have been a glimpse of the essence of his true nature, although even then he preferred to remain unseen, concealed by darkness. He was not above causing pain, although this was as much a matter of whim as any particular tastes that he might have possessed. A death was only the beginning, which was why he had survived undetected for so long. He could make a kill last for years. Physical pain was finite, for ultimately the body would surrender the soul, but emotional agony was capable of infinite variations, and the subtlest of modifications might release from the wound a new torrent of distress.

In the persona that he presented to the world, the Gray Man was a reverse chameleon. His name was Roger Ormsby, and he was small, colorful, and greatly liked. He was in his early sixties, with an impish humor. His hair and beard were white, but neatly trimmed. He proudly carried before him his little potbelly, like a happily expectant mother demonstrating the pleasure she takes in her burden. He favored red suspenders and vests of unusual design. He wore tweed in winter and linen in summer, preferring creams and tans but offsetting them with tastefully bright ties and handkerchiefs. He could play the piano, and waltz and two-step with ease, but inside Ormsby was a foul thing animating him as a puppeteer works a marionette, and only an expert might have detected the sterility of his renditions of beloved classics as his fingers moved across the keys, or the joyless precision of every move he made on a dance floor.

Ormsby did not discuss politics or religion. He took only frivolous subjects seriously, and as a consequence was much valued as a dinner guest. He was a happy widower, faithful to the memory of his departed wife to the extent that he would do no more than flirt with the less lonely widows of Champaign, Illinois, but not so in love with the ghost of his departed spouse as to allow the loss of her to cloud his spirit or the spirits of others. He was always in demand as a companion for theater, movies, and the occasional light opera, and the absence of a sexual component to his relationships meant that he moved in and out of social situations with ease. He was a Friend of the Library, a member of the Audubon Society, a regular fixture at lectures on local history, and a generous—but not overgenerous—donor to good causes. True, there were some who disliked him, for no man can be loved by all, but in general such naysayers were regarded by the majority as willfully ornery, unable to accept that someone might simply be a force for contentment in the world.

And so Roger Ormsby bobbed through life in his vibrant plumage, advertising his presence, hiding nothing, but when he closed his front door behind him the artificial light in his eyes was suffocated, and the face of the Gray Man was pendent like a dead moon in the blackness of his pupils.

This is what Roger Ormsby did—or, if you wish, what the Gray Man did, for they were two aspects of the same entity, like a coat and its lining. He typically targeted his victims carefully, spending months in preparation. He had been known to engage in crimes of opportunity, but they were riskier now than they once were, because cameras were everywhere. In addition, it was difficult to gauge just what one might be appropriating in such a situation, for Ormsby required a very particular set of social circumstances from his victims. They couldn’t be loners, isolated from their families and friends. He did not desire discards. The more beloved they were, the better. He wanted offspring who were cherished. He wanted teenagers from happy homes. He wanted good mothers of children beyond the age of infancy. He wanted emotional engagement.

He wanted many lives that he could slowly and painstakingly destroy over a period of years, even decades.

Ormsby made people disappear, then watched as those who loved them were left to wonder at their fate. He understood the half-life of hope: it is not despair that destroys us, but its opposite. Hope is the winding, despair the unwinding. Despair brings with it the possibility of an ending. Taken to the extreme, its logical conclusion is death. But hope sustains. It can be exploited.

Ormsby’s actions had caused some to take their own lives, but he considered this a failure, both on his own part and theirs. The ones he killed were merely the first victims, and also the least interesting to him. He liked to watch those who remained as they tried to cope with what had been visited upon them. He knew that they would wake each morning and briefly forget what they had lost: a mother, a son, a daughter. (Ormsby avoided taking adult men. He was stronger than he looked, but not so much that he believed he could tackle a grown man, especially not as he grew older.) Then, seconds after waking, they would remember again, and this was where the pleasure lay for Ormsby.

He was not above goading, reminding, but that was a dangerous business. He had sent items to relatives in the mail—a necklace, a watch, a child’s shoe—to enjoy the commotion that followed. He had forced children that he had taken to write letters to their mothers and fathers, informing them that they were in good health and being looked after. (Adults, too, might be persuaded to write similar missives, but only under threat of physical harm.) He might wait years before sending such notes, depending on the age of the child and the reaction of the parents. He dropped the letters in mailboxes far from home, often when he was on vacation, and always ensured that he was not overlooked by cameras.

The Internet made it easier for him to monitor the progress of his real victims, but Ormsby was wary of leaving an electronic trail. He concealed his searches amid random examinations of newspapers and magazines, often in public libraries or the kind of cybercafes frequented by immigrants. He did not attend public gatherings for the disappeared, or church services at which the congregation prayed for their safe return, because he believed the authorities monitored such events. It was usually enough for Ormsby to know that the suffering he had inflicted continued unabated. If nothing else, the Gray Man had a vivid imagination. This was how Ormsby could survive for so long without killing: as the years went by, so too his store of victims increased. He could dip in and out of destroyed lives. He was an emotional vampire.

Now, as he drove home, he thought that this metaphor had a pleasing precision under the circumstances. He recalled a scene from Bram Stoker’s Dracula, in which the Count returns to his castle and throws to his three vampire brides an infant contained in a sack. At that moment, the trunk of Ormsby’s car also contained a child in a sack. Her name was Charlotte Littleton. She was nine years old, and represented one of his rare crimes of opportunity: a child playing with a ball as the afternoon sunlight died, an open gate, the ball drifting into an empty street of big houses set back from the road . . .

Good fortune: God—if He existed—finding His attention briefly distracted.

And inside, the Gray Man danced.

Most helpful customer reviews

6 of 6 people found the following review helpful.
Parker Confronts Evil In "The Cut"
By TMStyles
If you love dark and suspenseful mystery/thrillers with a dash of the supernatural and have not discovered John Connolly's signature character Charlie Parker, I urge you to jump into this series as soon as possible and, hopefully, in order of printing of the 15 or so novels. John Connolly is a master at his craft and is a true wordsmith with the ability to depict a gloomy atmosphere or a palpable sense of dread in just a few well turned words. I find his literary style to be similar to that of James Lee Burke, another of our living treasures. And Parker is a private detective who is unlike most others in that he died and was reborn with the ability to "see" and sense his murdered daughter who seems to watch over him. Along with Louis and Angel, his two closest allies, Parker seeks justice and retribution for those who have been touched by the absolute evil in some men and communities.

In "A Time Of Torment", Parker is hired by Jerome Burnel, a former hero who may have been framed by a child porn charge which made him a pariah; furthermore, sensing his own impending death, he enlists Parker to find out who framed him and why. Parker and his pals soon discover a strong link to an isolated and forbidding mountain community known simply as "The Cut"; a community with an ancient evil past highlighted by crime and death and housing an entity known as the "Dead King". Soon Parker and team join with a local sheriff to investigate The Cut and its depraved leaders Oberon and Cassander. Knowing that kidnapped girls are secreted somewhere in The Cut, Parker's team goes on the offense to try saving the girls, find Burnel, and end the stranglehold that The Cut exerts on Plassey County.

"A Time Of Torment" is a fine addition to the lore of Charlie Parker but it is not a good starting point for someone unfamiliar with the series. My two quibbles revolve around the fact that Connolly occasionally rambles and stretches out the narrative a little too much and he has a tendency to reuse his villains more often than I would like. A comic book editor once said that good villains are hard to find which may explain why so few comic book villains ever truly die and, regretfully, Connolly seems to subscribe to the same notion.

3 of 3 people found the following review helpful.
Again Connolly keeps improving.
By John E. Mack
Connolly keeps getting better. He has dropped some of his literary tics ("Yes, yes he did") and moves into the plot more deftly than when he began his Charlie Parker series. He has moved into the business of destroying municipalities. This is the third time Parker has disrupted or destroyed a community of evil weirdos. In this case, the villainous community is "the Cut," a stretch of a small West Virginia county that has been preying on outsiders for several centuries. When a person threatened by the Cut seeks Parker's help, he is promptly disappeared. Parker follows his trail to the West Virginia county, seeks the help of the local sheriff, and brings with him Louis and Angel, his criminal/moralistic sidekicks. The Cut has obtained a strange idol called the "Dead King," to whom it offers the bodies of people it captures. Connolly spends a fair amount of the book going back-and-forth between Parker, leaders of the Cut, the local sheriff, and the Cut's victims. If there is one thing of which Connolly is truly a master, it is at painting utterly disgusting villains, even though some of them are rather complex characters. Some may fid the supernatural elements in Connolly's writing, including in this book, somewhat superfluous -- subtract the Dead King, human sacrifice, other-worldly avatars and visions of the afterlife, and the plot would work just fine as a straight detective story. But I find this rather diverting, if only because it provides some relief from the hyper-violence that tends to fill Connolly's work. Recommended.

1 of 1 people found the following review helpful.
Could not put down...
By Kindle Customer
I received my copy early this morning and have finished it by this evening! Just too good to stop reading!
Charlie Parker, the best PI in the business :), has been asked for help from a man just paroled from prison to prove he did not commit the crime he was sentenced for. And it begins...
There are a number of side stories but they all tie together in the end. A solid storyline with characters solidly formed.
There are cults, bad men, a dead king and Charlie's daughters. And of course, Louis and Angel, ever ready to cover Charlie's back.
Mr. Connolly has created an unforgettable character in Charlie Parker. If you haven't read this series then you are missing good entertainment. Thanks for the nice read....and I will be waiting for the next ..

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Friday, 1 July 2011

[D824.Ebook] Ebook 150 Projects to Strengthen Your Photography Skills: Essential Techniques, Exercises, and Projects for Aspiring Photographers (Aspire)By

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150 Projects to Strengthen Your Photography Skills: Essential Techniques, Exercises, and Projects for Aspiring Photographers (Aspire)By

Titles in Barron's Aspire Series offer students of the arts self-teaching tutorials in the form of progressively more challenging projects for them to complete. Carefully structured lessons encourage students to develop their own styles and aspire toward professional careers. In this book, author John Easterby describes photography as the art of storytelling through visual images. Focusing primarily on digital photography, he discusses cameras of different types and sizes and the uses of supporting photographic tools, such as tripods, interchangeable lenses, and lights. He advises on studying the work of professional photographers in galleries, books, and magazines as an important first step in understanding how to look at photos. Tutorial projects include "remaking" a well-known photo by a famous photographer, shooting a natural light portrait, using backlighting, shooting scenes at night, expressing movement in photos, freezing action, keeping a photographic diary, photographing sports events and crowd scenes, using a series of pictures to tell a photo story, and many others. Readers learn how to set up a desktop studio, edit images, and build their portfolio. The enlightening text is supplemented with more than 400 instructive illustrations.

  • Sales Rank: #770819 in Books
  • Brand: Easterby, John
  • Published on: 2010-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .50" w x 8.40" l, 1.15 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Review
"...perfect for college-level photography students."
--The Midwest Book Review

About the Author
John Easterby is a lecturer at the London College of Communication. He has had a long and successful career with photo agencies and has worked in documentary photography and exhibition production.

Most helpful customer reviews

22 of 24 people found the following review helpful.
Great Inspiration!
By Tiffany Everett
Try not to judge this one by its ugly cover... it is a really wonderful book!
My Mom bought me this book and I love it! It has great ideas and examples. I have been doing the 365 (a photo a day) project and this book has helped me on days that I have no photo ideas. Its really helping me broaden my spectrum and think about things in new ways.
You can see a couple of my responses to the different projects suggested in this book on my 365 page, [...]
And another great thing, it is not just a list of projects. The author actually goes into detail and has lighting diagrams. In actuality, there are well over 150 ideas in this book. I know you will not regret this purchase.

15 of 16 people found the following review helpful.
May work for a beginner
By consider01
I actually returned this item after grazing through it. I had seen a similar item that had more advanced projects and thought this book was that item. The book seems a "rehash" of every beginner photo article ever written. Nothing wrong with that, just not the inspiration I was looking for in this purchase. The clue should have been "Aspiring Photographer".

11 of 12 people found the following review helpful.
no what I thought
By K. Harper
I thought this book was going to have more "assignments" like specific shots to try so you can learn new skills, it was more of things like trying to shoot in manual mode ect. Not what I was hoping for since I saw an ad for this book in PPA Magazine.

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